Contact

trblair-at-ozemail.com.au

Monthly Archives

Most recent entries

Links

Achewood
Acidman
Andrea Harris
Andrew Bartlweet
Andrew Bolt
Andrew Landeryou
Angie Schultz
Ask An Imam
The Australian
Bastards Inc.
Belmont Club
Bernard Slattery
Big Pharaoh
Bill Quick
The Bitch Girls
Bjørn Stærk
Blithering Bunny
Catallaxy
Cathy Seipp
Charles Austin
Chase Me Ladies
Chuck Simmins
Clive James
Club Troppo
Coalition of the Swilling
Colby Cosh
The Corner
Currency Lad
The Daily Grind
The Daily Telegraph
Damian Penny
Dave Barry
Dave Lee
David Frum
David M.
Dawn Eden
Day by Day
Decision '08
Derek Sapphire
Dissident Frogman
Dr Alice
Drooble
Ed Driscoll
Drunkablog
Dylan Kissane
El Cid
Environmental Republican
EURSOC
Flashman
Florida Cracker
Fraters Libertas
Free Will
Gay Patriot
Glenn Reynolds
Hablog
HispaLibertas
Hit & Run
Hugh Hewitt
Iain Dale
Iowahawk
Iraq the Model
Jack Lacton
Jack Marx
James Lileks
James Paterson
Jawa Report
Jeff Jarvis
Jennifer Marohasy
Jessica’s Well
J.F. Beck
Jim Treacher
Joanne Jacobs
Joe Hildebrand
John Hawkins
Jules Crittenden
Ken Layne
Ken Summers
Kitty Bukake
Kiwiblog
Les Enfants Terrible
Libertarian Leanings
Little Green Footballs
Lubos Motl
Mahmood's Den
Major John
Man of Lettuce
Mark Steyn
Mary Katharine Ham
Matt Welch
Megan McArdle
Melanie Phillips
Menorah Blog
Michael Jennings
Michael Totten
Michelle Malkin
Midwest Conservative Journal
Mike Jericho
Miranda Devine
Natalie Solent
Ned Wynn
Nick & Nora Charles
Ninme
Norm Geras
Oliver Kamm
Opinion Dominion
Opinion Journal
Pajamas Media
Patterico
Paul Bickford
Pejman Yousefzadeh
Peter Briffa
Peter Risdon
Pixy Misa
Pommygranate
Popular Mechanics
Posse Incitatus
Powerline
Protein Wisdom
Quentin George
Questions and Observations
Rajan Rishyakaran
Reason
Rezwan
Right Thinking
RightWingDeathBogan
Rob Hinkley
Roger L. Simon
Romeo Mike
Ron Hardin
Sam Ward
Samizdata
StraightShooters
Sheila O'Malley
Silent Running
Spartacus
Spin Starts Here
Stop the ACLU
Tim Newman
Tim Worstall
Time Goes By
Tony Pierce
Tony the Teacher
TramTown
Vampus
Venomous Kate
Virginia Postrel
Vodka Pundit
Warwick Hughes
The Weekly Standard
Whacking Day
Will Type For Food
Wog Blog
Wonkette
Zoe Brain
Zombie Time

Previous Tim

Tim Blair on Spleenville

Tim Blair on Blogspot

Search


Advanced Search

Syndicate

Statistics

This page has been viewed 28018386 times
Page rendered in 0.1355 seconds

Referrers

Powered by ExpressionEngine

Sunday, January 16, 2005

PHIL DOESN’T UNDERSTAND

“How can Americans love The Simpsons yet vote for Bush?” asks Phillip Adams in a column stunning for its worthlessness, even by his standards:

Fundamentalist Christians see Los Angeles as both Sodom and Gomorrah, cities of Jews and liberals, whose salacious offerings are destroying the nation’s moral fibre.

Vicious Jew-hating Jesuslanders! They’re so bigoted. Unlike Phillip’s former radio partner.

But conservatives are on firmer ground when they instance the scurrilous and exuberant subversion of, yes, The Simpsons ... The Simpsons provides the clearest of cases - with its own axis of evil dominated by a Phil Ruddock lookalike who, consumed with greed, owns his own malfunctioning nuclear power station.

Speaking of Simpsons lookalikes ...

Among the most frequent targets of lethal satire are The Simpsons’ next-door-neighbours, archetypal Christian conservatives whose religiosity our hero, Homer, constantly derides.

Homer very rarely derides the Flanders’ “religiousity” (why would he? Homer attends church almost every Sunday).

Indeed, pretty much all the baddies in a Mike Moore movie can be seen in The Simpsons which, at its heart, is a never-ending version of Fahrenheit 9/11. Yes, it can be laughed off as a cartoon - but it’s a cartoon closely related to the cartooning of Gary Trudeau in Doonesbury.

Except that it’s funny.

The only significant TV series in which the lead characters would be pro-Bush is - The Sopranos. Their line on Muslims, the war in Iraq, let alone their ongoing prejudices against African/Americans, would put them firmly in the category of chest-thumping, white alpha males. Of course, at some levels, David Chase’s fascinating portrait of New Jersey criminality is a social satire. At others, it takes over where Coppola’s The Godfather left off - as a piece of symbolism of US capitalism.

The stretching involved here is the most exercise Phil has got since all those star-jumps to celebrate Whitlam’s election in ‘72.

UPDATE. What is with hefty bearded guys named Phillip Adams?

UPDATE II. Professor Bunyip also contemplates Phil’s vision of The Simpsons, “which he has apparently never seen.”

Posted by Tim B. on 01/16/2005 at 02:24 AM
(40) CommentsPermalink
Page 1 of 1 pages